• Libertà – Quotidiano di Piacenza

    Arlésienne – Bizet

    The orchestra conducted by Michele Nitti, claver and fine conductor. He perfectly created the tense feel of the composition.

  • Focus – www.cannibali.it

    All-round musician, Nitti astonishes for a leading talent expressed not only in the wise control of the score, in the elegance and clarity of gesture, but also in the extreme sensitivity with which he creates and returns to the public the nuances and the expressivity of the music.

  • Corriere della sera

    Carl Orff Festival – Elgar Cello Concert

    A talent in his career – The Orchestra of Bari has very well performed Elgar and Beethoven, under the able conducting of Michele Nitti, young talent.

    An exacting repertoire has enthuses the audiences thanks to the convincing performance of the orchestra, the charismatic conducting of Michele Nitti and the interpretation of the young cellist Croatian Jelena Ocic [...] Vigorous approval for the conducting of Michele Nitti

  • Gazzetta del Mezzogiorno

    Carl Orff Music Festival

    Jelena Ocic – Elgar cello Concert

    Beethoven – Simphony 1

     

     The conductor has established an excellent relationship with the orchestra of Bari, with results extremely interesting and valid. After the Intermezzo of Cavalleria Rusticana (conducted with extreme sensitivity), Nitti proposed the Beethoven’s Symphony No. 1, with a resolute temperament. With vigorous force, the score appeared in a new light, full of dazzling moments. The orchestra followed the conductor with enthusiasm and  exciting results.

  • Gazzetta del Mezzogiorno

    The musical genius of the young Nitti on the podium of the Symphonic Orchestra of Bari

    Glinka – Ruslan e Ludmilla

    Beethoven – Simphony nr 2

     

    The interpretation of Michele Nitti, one of the most prominent today’s conductors, completely convinced. In this concert Michele Nitti has revealed a flexible and soft posture, and the total knowledge of the score. He drew out from the score many colours, timbres and a large quantity of musical ideas. In the Allegro molto finale of the Beethoven Symphony nr. 2 Michele Nitti has exalted the fancy of the Orchestra, a good amount of surprising dynamics and an ironic mood always present. The rest of the concert showed a conductor already very flexible and prepared in most passionate repertoires, full of sonority and tonal transformism. This is the case of Glinka’s “Ruslan and Ludmilla ouverture”, an explosion of colors in a general rejoicing of rhythm very well-conducted.

  • Gazzetta del Mezzogiorno

    Orchestra della Società dei Concerti di Bari

     

    Impeccable strings of the Society of Concerts. Nitti created eloquent, elegant and engaging sounds, framed in a clear interpretation, thoughtful and focused stylistically.

  • Libertà – Quotidiano di Piacenza – The secret of Susanna

    Il segreto di Susanna, E. Wolf-Ferrari

    Piacenza, Teatro Comunale dei filodrammatici

    Great success for the opera at the Teatro dei Filodrammatici. An happy success [...] Clear and remarkable the Orchestra conducted by Michele Nitti.

    Warm applause to the good performers – Great test for the Orchestra  of Piacenza. Dazzling interventions of the Orchestra conducted by Michele Nitti, elegant performer of the score of Wolf Ferrari.

  • Gazzetta di Parma

    Bohéme, G. Puccini

    Great audience for the last production of the summer billboard. It was a smooth performance with a cast, supported by the orchestral tissue conducted by Michele Nitti.